2025
Created during a university workshop in Bevagna, this project uses photogrammetry to capture three human figures — each posed differently, under changing light. Despite their digital origin, the scans reveal a quiet stillness, as if time had settled on them. Moss grows across the surfaces, softening faces and blurring details.
The organic overgrowth stands in contrast to the precision of 3D scanning. It suggests nature reclaiming form, memory fading into texture. Each figure becomes less a portrait and more a monument — not to identity, but to erosion.
Faces in Bevagna explores the intersection of technology and decay. Even in digital space, nothing stays untouched.